Cinema structure test

This article mixes headings, lists, an image and a table to test a future renderer without using react-notion-x.

  • Film stills and posters should work as ordinary body images.
  • Dense reference material should survive as blocks, not collapsed plain text.
Wide image inside the cinema article.
Image unavailable
Wide image inside the cinema article.
PeriodExampleRenderer need
1990sBrotherPlain table row
2020sThe Boy's WordComparison row

Extended block test

Toggle headings

Toggle heading 2 — Film eras

The 1990s saw a wave of raw, low-budget cinema that captured post-Soviet disillusionment. By the 2020s, production values rose and streaming reshaped distribution.

Toggle heading 3 — Director profiles

  1. Alexei Balabanov — Brother (1997), Cargo 200 (2007)
  2. Andrei Zvyagintsev — The Return (2003), Leviathan (2014)
  3. Zhora Kryzhovnikov — The Boy's Word (2023)

Equations in context

The relationship between screen time t and audience retention R can be modelled as:

Math expression
R(t) = R_0 \cdot e^{-\lambda t} + C

where R_0 is initial engagement, \lambda is the decay constant, and C represents baseline loyalty.

Rich callouts

Mermaid diagrams

mermaid
timeline
    title Post-Soviet Cinema Eras
    1990s : Brother
         : Prisoner of the Mountains
    2000s : The Return
         : Night Watch
    2010s : Leviathan
         : Loveless
    2020s : The Boy's Word
         : Captain Volkonogov Escaped
mermaid
graph TD
    A["Soviet Studio System"] --> B["1990s Collapse"]
    B --> C["Independent Auteurs"]
    B --> D["Commercial Genre Films"]
    C --> E["International Festival Circuit"]
    D --> F["Domestic Blockbusters"]
    E --> G["Global Streaming (2020s)"]
    F --> G

Multi-line quote with formatting

Cinema is a mirror that shows us not who we are, but who we are afraid of becoming. Every frame is a choice — a decision about what to reveal and what to leave in the dark.

Columns with varied content

🎞️ Soviet era

YearFilm
1972Solaris
1979Stalker

🆕 Post-Soviet era

  • Brother — street realism
  • Night Watch — blockbuster fantasy
  • Leviathan — art-house drama
  • The Boy's Word — streaming-era series
Why this matters

The shift from state-controlled studios to independent production fundamentally changed what stories could be told.

Colored text showcase

Some films burn red hot in the cultural memory, while others fade to gray. The best work sits in a luminous space between poetry and provocation.

Nested list with inline formatting

  • 1990s — decade of rupture
    • Brother (1997): \text{budget} < \$1\text{M}
    • Cultural impact: underestimated massive
      • Spawned a generation of imitators
      • Soundtrack became iconic
  • 2010s — decade of recognition
    • Festival wins: Cannes, Venice, Berlin
    • Domestic censorship debates intensified

Code: data model for a film database

typescript
interface Film {
  title: string;
  originalTitle: string;
  year: number;
  director: string;
  genres: string[];
  runtime: number; // minutes
  language: "ru" | "en" | "other";
  awards: Award[];
}

interface Award {
  festival: string;
  category: string;
  year: number;
  won: boolean;
}

To-dos with colour